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Blige) – definitely, one of the strongest numbers on the album – is performed by Musiq Soulchild along with Mary J. The album starts with the Auto-tuned track Backagain, which is followed by the gorgeous middle tempo composition Until. On My Radio: the collection of slow and mid tempo compositions This year, Musiq Soulchild recorded his fifth studio attempt On My Radio, which became his second work on the major label Atlantic Records. Since that, he has been nominated for Grammy four times, got several other prestigious nominations and prizes and became known for his total neglect for spelling and punctuation in the titles of his tracks and long-plays. In 2000, the musician recorded his debut disc Aijuswanaseing (I Just Want To Sing) and caught the attention of the public. The artist took part in different concerts, demonstrated his beatboxing skills, performed in jazz clubs or simply sang in the streets of his native Philadelphia. However, in that difficult period of his life, Musiq Soulchild started to get his reputation of a gifted and inventive musician.
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For some time, he worked in different places and had to spend nights in the street. Later, he missed that decision, especially when the performer left the house of his parents to live on his own at age seventeen. In his early age, Musiq Soulchild decided to drop from the high school in order to go in for music. Taalib is the eldest among nine children, but he was the most difficult of them – according to the words of the artist, he always made his own thing among other kids. Aijuswanaseing is beautiful, soulful canter through Musiq Soulchild’s mind – and acts as a near-perfect example of the soft RnB-tinged neo-soul that was so prevalent at the turn of the 21st century.The American musician Musiq Soulchild (whose real name is Taalib Johnson) comes from a big family. With its lush horn and string arrangements and Soulchild’s doo-wop styled, layered vocals, the album was a top 30 US hit and its influence has quietly continued to grow. Elsewhere, it’s actually some of the brief ‘interludes’ that delight the most – the vocal trickery of the introduction, and the self-titled track, with its thrusting hip hop beat, offers a diversion from album’s overall silkiness. The song ends in a flurry of increasingly frantic voicemails. Its use of new age label Windham Hill artist George Winston’s Rain Dance as its sample adds to its unsettling, floating ambience. However, unlike some of his predecessors, Soulchild’s out of there, rebuffing the advances of a girl he thought was older. Seventeen deals sensitively with one of pop’s most controversial old lyrical standbys, a potential underage relationship. L’ Is Gone nods to Funkadelic, with its fine chorus vocals and Hammond organ. 143 is the album’s standout cut – an amalgam of Stevie Wonder and Donny Hathaway – and is mellowness itself, with lines such as “I treat you like Valentine’s Day 365 a year / Make sure everything you need will be right here”.
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My Girl is an up-tempo celebration of relationships, while the questioning, self-doubt of Love is dark and pensive. Samples are utilised in a most understated manner – Bobby Hebb’s classic Sunny is the reference running down the spine of Just Friends (Sunny) but you’d never really know, as Soulchild and his producers Ivan ‘Orthodox’ Barias and Carvin Haggins create a beatbox and electric piano-driven love song.
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It’s a smooth, soporific listen that often sounds as if it was made in 1970 rather than 2000. Signed to Def Soul, the album was executive produced by A Touch of Jazz Productions, aka Jeff Townes, Soulchild’s fellow Philadelphian Jazzy Jeff. Released at the tail end of 2000, it immediately struck a chord with its sensual jams and often heartfelt pleas for love and understanding. Aijuswanaseing was 23-year-old keyboard player and vocalist Taalib Johnson’s debut album as Musiq Soulchild.